There is a whole generation who will look back at two-time Newbery medalist and National Ambassador for Young People’s Literature Kate DiCamillo the way my generation looks back at Gordon Korman, Judy Blume, Kit Pearson or Beverly Cleary. In fact, in an EW article DiCamillo names Cleary as a major influence for her latest novel, the superlative Raymie Nightingale. DiCamillo has defined American contemporary children’s literature in a way that none of her contemporaries can match.
Raymie Clarke’s father has run off with a dental hygienist. She is convinced if she does something spectacular- such as win the Little Miss Central Florida pageant- he will see her in the paper and come back. Raymie’s story (abandoned by a parent) is not uncommon, but DiCamillo’s greatest gift is the ability to find the extraordinary in the ordinary. In her deft hands a baton, a jar of candy corn, even a swamp becomes something tinged with wonder.
My favourite Kate DiCamillo novel is Tiger Rising, which I think gets lost in the mega-bestselling, highly-decorated books such as Tale of Despereaux, Because of Winn Dixie and The Miraculous Journey of Edward Tulane. Tiger Rising is a very simple narrative about poor children leading hard lives and stumbling upon something so unexpected it feels magical. DiCamillo revisits this idea in Raymie Nightingale. In Tiger Rising, the unexpected is an honest-to-goodness tiger in the woods. In Raymie Nightingale, it is friendship.
Raymie’s new friends, prickly Beverly and painfully optimistic Louisiana have burdens of their own. They are all desperate to be heard and understood, but have been made cautious by past disappointments. There is real sadness here, but as always in a DiCamillo book, hope triumphs over all. Of all the hurting characters in this book, I worried the most for Louisiana. Of all the girls, her situation is the most dire, and yet she is the most hopeful. But even when things looked very bad, I trust DiCamillo to not only point out, but buff up the silver lining.
If I could narrow down the one thing common to DiCamillo’s range of work it would be her warmth. Whether she is writing fantasy, realistic contemporary, early readers or historical fiction (which is technically what Raymie Nightingale, set in the 1970s, falls under) genuine warmth for her characters, for her readers, for people permeates the language.
Raymie Nightingale is available on April 12th from Candlewick Press.